Poetry Month!

My stepmom sent me a copy of Eireann Lorsung’s Music For Landing Planes By last month, and I finally got around to reading it. The book is organized by quotations giving a general theme, and I got distinctly more into some sections than others — so, more on that later. But this is by far my favorite piece in the book. (Okay, actually that was “In The Wide World”, but this format is more html-friendly, and it was the first one I loved, anyway.)

Knitting

When are you coming back to stand in front of the window?
(I heard you whistling last night. Cars pass me by all day,

waves circling the enormous globe.)
So much is left out, I’m knitting a pattern without

stitches, without needles, only long fingerbones
to carry yarn. There was something buried

the night I left Eau Claire for good, and I never knew
how it would grow. Now your childhood friends

are my students, I walk past houses you lived in
without my knowledge and your scent trails

from abandoned bakeries. Whole warehouses
have been invented to catalogue want like this.

I go on knitting night and day because I don’t know
any other thing. All unknits by darkness

into twine birds use piece by piece. What secret
name can I tell you? What adventure are you on tonight?

There is forgetting in the density of raw new wool,
yarn shop one block from your apartment,

the cheap scarf — you don’t value things
because you never make them. Moon over the whitening world

sharpens spindle, windowframe. The sash
is pulled, seam is set: without material, there is no map.

I’ve been trying to discern lately what makes a lovable poem to me, versus what actively irks me. I think the latter is mostly about ego. I have written your bad poetry, I think, and it took me five minutes with a Thesaurus. I don’t like thinking about those careless times. I know my tricks, and I hate to see you using them. Like most prejudices, apparently, it involves accusing you of being just like me.

Lovable, though, I don’t know. Your poem is something I’ll read in the middle of a fight. I will sneak it into malls and bus stops and it will make these places seem lovely, significant, normal, thank god.

Continue Reading

The Last Time I Saw You

The first boy I would ever love I met when I was twelve years old. I had just begun junior high, and would watch him out of the corner of my eye during band rehearsal (trumpet, clarinet) and study hall. I would watch him like that for two years. Occasionally I lent him pencils. Every day of this pretty much vehemently sucked.

My locker was right next to another girl’s from our study hall, and one evening after an 8th grade school dance she bounded down the hallway and gave me the happy news that the two of them had just slow danced to the last song, and it was so romantic, and now, they were an item. I stuck my face into my locker. “That’s great!” I said, muffled in tin. “Congratulations.”

Thank god, high school was ahead. I rarely saw him through the next four years, and my diaries filled with other names, scrawled things, song lyrics, realized kisses.

When graduation rolled around, it was with tornado warnings. Our ceremony was relocated to the school gym. The smell of chlorine and old shoes was in the air; we sat patiently, sweating in polyester robes. After all of our names had been called and certificates handed out, we’d shuffled back to our folding chairs, and were asked to stand. I hereby present to you, the class of 2001! and suddenly struck with some kind of John Cusack necessity, I darted out of my row, raced one hundred and fifty people up, where he was standing, and I poked him importantly on the shoulder. Black hats were soaring into the air like flattened crows, everything was floating, tornados were possible. “I just need to tell you,” I said, “you were the first person I ever had a crush on — and it went on pretty much forever.”

He looked over at me and smiled the most wonderful smile. It’s what had gotten me in the first place, those two rows of amazing teeth, brightlipped. Thud, thud, thud, went the hats. Everyone was cheering, 2001! “Why didn’t you tell me before?” he said simply, tilting his head.

I smiled goofily and shrugged.

The last boy I broke up with, I largely consider to have ruined at least one year of my life. At least. That is the time we were dating, and of course does not take into account the painful emails after the breakup, or the perfectly benign text message six months later, which nearly inspired extreme violence toward its poor messenger (Samsung, recently replaced under warranty due to water damage), or the year of therapy following, or the various ways in which I am insane now.

I broke up with him over the phone, at a friend’s house, because we lived three hours away from each other and I didn’t have a car, and because he had just accused me, again, of cheating on him with said friend. Any male friendship or interaction I had at the time was extremely suspect, for reasons I could never divine. It got aggravating after a while. So we broke up and my friend’s mom ran a bath for me and I sat and cried in it for five hours and the next morning I woke up the happiest I’d been in a long time.

The last time I saw him was about three years ago. I was visiting our college campus to see my new boyfriend. I was drunk, and my head was bleeding (rolled in tube down hill, stopped by trees, knee into forehead).

I didn’t actually see him at all, technically; we were standing in a dirt parking lot, and I recognized his headlights. I knew his car by heart — all shiny new and blood red, with its completely silent sunroof and bright oval eyes. I saw that he was slowly coming towards me. I backed up in horror, ran up a flight of stairs, grabbed a doorknob and flung myself into a dark room, then immediately blocked the door with my body, clinging to the nearby window frames. I had entered some dorm laundry room. The machines were shaking.

“Adrianne?” my new boyfriend called from the parking lot. “Uh, where’d you go?”

I’ll grant you that I wasn’t myself at the time; twenty minutes earlier I’d hit my head so hard the whole world had filled with bright light. Alcohol obviously hadn’t ameliorated this. I stayed very, very quiet, holding that door shut until my fingers turned white.

Continue Reading

A First Solo Act

Backstage, I looked like a crazy person. I was talking to myself without making any noise, mouthing some nonexistent chorus. I was throwing my hands in the air, leaning over imaginary chairs, a little kick to the side. I was straightening my stockings, over and over and over again — looking back, restraightening. That was the middle of my leg, right? “They’re straight, they’re straight! Christ!” the Emcee laughed, his giant zoot suit shaking. I wanted to throw up. I wanted to die. I briefly considered escaping through the kitchen and pushing the wheeled laundry carts at anyone who tried to get in my way.

The lights went out. The chairs were set, they called my name. And as soon as the music began, I realized: oh right, this is going to be fun.

Continue Reading

Books!

The last day of bookbinding class was a little grueling: I had two books to finish, or else . . . or else they just wouldn’t be finished. A copy of Candide that had been formatted for us, and the structure for a children’s book I wanted to make.

For the most part I loved bookbinding. I love precise measurement, nice paper cutters, linen tapes and sewing. I love designing book covers. Also, I love making something be as time-consuming as possible — it’s harder to making the spine round? Well then that’s what I’m doing! We can make endpapers out of acrylic paint, cellulose, sponges, extra paper and glue? Sign me up!

grey open
Grey Journal

Candide head
Silk Bookmark in Candide

But I hated glue.

I hated that it dried, whether I was ready for it or not, I hated that it got all over my hands and that as soon as it was all over my hands it was all over my book and once it was all over my book that was it, the book was ruined. You do a lot of prep work before any gluing happens, and the glue was always the stage at which I began cursing, losing bone folders, smearing things on my pants. Your covering paper is perfectly cut, and then you paint glue on it and it’s curling on itself, getting glue all over the table and then all over the book and then your book is ruined. Your hand-made endpapers are burnished and shiny, sparkling with gold paint and green forest leaves — then you paint glue on the back of them and they wrinkle, rip, warp.

Which is all to say, I am determined to tame you, glue. You will do as I say. It will be clean and tidy. Next workshop.

Full album with all five books here.

Continue Reading

(I Probably Shouldn’t Tell This Story)

My first clue should have been that my eternally laid-back boyfriend was uncomfortable with it. “You look weirded out,” I said. “Are you weirded out? What’s wrong? Let’s talk it through.”

“I’m not . . . weirded out,” he said carefully. “I don’t know. I don’t know what I think. Something seems off about it to me, but I haven’t figured out what yet.” He paused, and I crossed my arms, eyes narrowing. “But obviously, if you really want to do it, you should do it.”

“Well, I’ve already told them I’m going to do it.”

“Yeah.”

“You didn’t seem weirded out when I brought it up before.”

“I guess I wasn’t sure that you were serious.”

* * *

What I knew about the party: there would be a magician, and a hypnotist, and a belly dancer. It was a benefit for something or another. And they needed models to walk around wearing nothing but booty shorts, heels, and body paint. Unpaid. (I’m a real sucker for unpaid. It says to me, “intrinsically valuable.” “Resume-building.” “Spiritually rewarding.”)

I had just joined the burlesque troupe a few days earlier, and still caught up in the sweet frenzy of our holiday show, I envisioned two scenarios:

1.) This was taking place in a dimly lit museum, after hours. The artist was young, beautiful, insane. We’d walk around with his schizophrenia swirled around our belly buttons and shoulder blades in dashes of blood-crimson, sunshine-yellow, deep cobalt. The patrons would casually glance down their noses, reaching for another flute of champagne from traveling trays, delicately fried meats wrapped around tiny fruits stabbed through with toothpicks. “Isn’t that interesting,” they would say. “You know, I preferred his earlier work.”

2.) This would be madness, a drunken, surreal circus. In an explosion of glitter and rhinestones, the magician would pull a headless body out of a hat. The hypnotist would have us all thinking we were floating down the Nile. Once painted, I would become a shapeshifter: blending into walls, appearing out of thin air onto the dance floor, dancing like a lizard. When the belly-dancer emerged, we would all howl at the moon.

I would return home in the wee hours of the morning shivering, uncertain of who I was, whisper in my lover’s ear that I knew what it felt like to be a tree.

* * *

The magician picked us up a little late, and we got stuck in traffic. I was completely fine with this, in the way I am completely fine with anything when I’ve just dyed my hair.

He told us about the endless hours he works, the crazy parties he throws in his apartment (stripper pole!) (drugs!), and I dreamily leaned my head against the window, watching the sun set over the city. “I know so little about what goes on in these buildings,” I thought.

* * *

“Here we are!” he said. “I’ll just drop you girls off here, and go find a parking spot.”

We clambered out of the magician’s car, over velveteen suits and french-tipped wands, and stood there for a moment with our plastic bags on the sidewalk, looking up at the bar.

As soon as I saw the place, I realized exactly what I was in for. There was a rotating glass sculpture in the middle of the main room, lit in icy blue. The dance floor was surrounded with white leather booths, throw pillows. Pearl bead curtains hung from the walls. It was the kind of place where all the men wear Aqua Di Gio and all the women fake their nails/orgasms.

“Hiiiii!” the event coordinator beamed, embracing both of us in a fragile, space-respecting hug. “Let me show you into the VIP room — that’s where our makeup and body paint artists are.”

Continue Reading