Sashimi Bun

The day I brought the kitty home I had a temperature of 102 degrees. The drive to the humane society had been an act of rebellion against my better judgement: I was a little dizzy, a little nauseated, my throat swarming with antiviral armies wielding spears, javelins, occasionally catapults.

But I had been sweating in bed for three days. The sixteen year old in me moped to the kitchen and whined. “Oh my god, get out of the house.”

The ten year old in me perked up. “AND LOOK AT KITTENS.”

So I popped two Dayquil and took my adult body on a feverish adventure. I knew what I wanted. An orange cat, male, two or three years old at least. I would name him Milo.

More photos of Sashimi Bun: here.

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Backstage at the Ritz

Obviously I was going to take pictures backstage at The Slutcracker when I visited Boston. I emailed the director — aka, my friend, my mentor, my former troupe leader — as soon as we realized I’d be in town during the show’s run, she asked me when I wanted to be there, I showed up, and at one point I was on someone’s shoulders while everyone cheered.

I knew almost the entire cast. I had been on a stage with them before, I had been naked with them and ripped adhesive off my chest with them and made out with them and mock-humped them with a sock stuffed down my booty shorts. And usually, I’d also had my camera with me. It was just part of my hand, part of my face, a given.

When I saw that the troupe I’ve performed with just a couple of times in Minneapolis was also doing a subversive “Nutcracker” — at the Ritz, one of my favorite theaters, and collaborating with Ballet of the Dolls, one of my favorite dance companies who have a long history of beautiful, eerie (occasionally to the point of being Lynchian) and often hilarious shows — I contacted that troupe leader too. “Hey! Shooting backstage is kind of my jam. Want me around?”

They were cool with that. I rejoiced. I packed my things, I showed up.

And then, faced with the dressing room of the Dolls, I broke into a sweat.

I don’t really know any of these people, I realized. Not just that this was socially stressful, but from a practical standpoint: I don’t know who the camera whore is, who prefers privacy, who is more selective with their personal space, who might be annoyed by my mere existence in the room. And I deeply admire all of them. They’re professionals! Oh god, I was going to have to act professional.

I would announce my presence, start from a distance. I use a wide angle lens, so these photos were mostly useless, they were just warming me up, normalizing that shutter sound echoing in the room. Hihihihihi.

Okay, I’d breathe in, act casual, get closer. Now closer again. They’d look up at me, smile, or not, they had things to do. God, they were so awesome! What if this was obnoxious? What if I was in someone’s way? What if this wasn’t professional? I bumped my butt into makeup trays, broke a chair. Closer.

Full album: here.

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Portrait of a Photographer

From a portraiture class at the MPLS Photo Center; most of mine came out pretty goofy, but I did kind of love this one. Afterwards we opened a window, threw off our shoes, and crawled onto the roof.

“Look like you’re about to jump off,” this one commanded the other student; a man maybe ten, fifteen years her senior. He eyed her nervously, then ran to the edge.

“Jesus,” I said.

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Bloody Chase

(From The Big Book of Chilling Ghost’s, by Annie Mathiowetz, age 8.)

Once there was a kitten that loved to play on graves!

One day she was walking on the graves like she always did when whack! Something was pulling on her!

“Meow!”

She was very scared. She cried and cried for help, but every house was asleep! So that was the end of the cat, or . . .

“Meow!”

Was it?

She finally freed herself and she still didn’t learn her lesson!

The very next day she did it again!

And the next day there was blood on the grave! But it wasn’t the kitten’s! Then the next day she saw the blood began to rise!

She went out and chased it all around the yard! And she finally caught it!

But the blood didn’t stay on the ground! It began to sink with the kitten on it!

The kitten tried to free herself but couldn’t! Not this time. She cried, she howled, but no one heard her!

“Meow!”

And no one ever saw the kitten again! They searched the graves in every graveyard, but all they found was the blood that took the kitten in!

So the next time you see blood on a grave you better not walk on it!

R.I.P.

(Image taken at the Mpls/St. Paul Zombie Pub Crawl. Full album: here.)

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On Which Musical Genre Should We Build This City?

We were standing at the top of the Foshay Tower when it hit me. Josh was pointing at the liquor store they had just stopped at the other day, Joanna at her favorite pizza place. The city teetered below us, sparkling like a giant pinball machine, and I thought: “I know who owns that place. My friend hosts that show. I went to a talk last week, and met the people behind that event, asked them questions.”

My generation is no longer our cities’ doe-eyed, shuttled participants. We’re starting to reach the age that grants us the possibility to create these places. We’re developing the next thing you attend. We’re making and opening and directing and managing, and this involvement, this ability to be involved, may truly connect us to a sense of home.

Full album from the Northern Spark Outdoor Arts Festival (first year): here.

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