The Diner

March 30th, 2010

“We joke that you can always tell by the length of the nails.”

I looked down at my own, which had become long (and thus, dirty) simply out of neglect. “But I’m mostly straight,” I said, “and my nails are mostly short. I mean, they’re long now, but that’s not on purpose.”

“Adrianne. Think about it. Our hands are our dicks.” She made a hand gesture to illustrate something I’d certainly never experienced. I choked on my coffee and squealed like a seventh grader.

“That’s . . . that’s a very good point. You know, in porn, where they have the obligatory lady-touching-herself scene? And the chick has this ridiculous manicure, with the long acrylic nails that have, like, jewels glued onto them? I can never watch that shit. It actively turns me off. I won’t want to do it for hours.”

A child skipped by our booth, dragging a small white dog by the claw of a stuffed lobster.

“Seriously! That’s so horrifying! Why do they do that?”

“Well, in their defense — I read this book once, A Smart Girl’s Guide to Porn. And the author said something about these women being professionals, obviously, and the nail tips not being sharp, and how they’re not hurting themselves.”

“Ah. I think I read . . . part of that book too.”

“Yeah. It wasn’t very well-written.”

“No. I think that’s why I only read part of it, then gave up.”

“Heh, right. Such a shame. Anyway, so, there’s that I guess. But still, it’s so visually unappealing. It looks painful regardless. I wish they wouldn’t.”

A long, thin elderly man with stooped shoulders and cowboy boots slowly clacked over to our table. “More coffee for you girls?”

“Oh, no thanks!”

“Yeah, I think we’re fine.”

“So I had this fantasy, about [X,] the other day. It really weirded me out. We did [scandalous!], and then [extended scandalous!]. Oh my gosh.”

“You did [scandalous!] with [X]?!” I yelled.

“I know, right? Sometimes I don’t know where my mind comes up with these things. It goes on, like, tangents.”

“I almost never think about faces.”

“Really?”

“Well it’s kind of a funny thing, you know, thinking about men masturbating –”

Suddenly her growing wide eyes met mine.

She whispered: “Adrianne!

I stopped, and looked around.

You could have heard the proverbial pin drop. The child was sitting on the floor, slowly petting the now-sleepy dog. His grandparents hovered over their toast, sipped heavy mugs of coffee, careful to move their silverware silently on the plates. Linoleum peeled. A faded cardboard cut-out of Marilyn Monroe gleamed in the corner, some kid’s model airplane suspended forever above her. In front of us, a set of grey heads were nearly motionless, frozen in their seats like terrified mannequins.

Without our voices barraging the air, the silence preserved the diner like hardening amber.

“Oh god,” I whispered, “. . . were we really being that loud?”

“Uh, yes. Yes we were.”

“And we were just talking about –”

“I think we forgot,” she whispered back, “I think we just acted very, very city.”

Postcards From Midnight Vultures

March 25th, 2010

A month or so ago, Black Cat Burlesque teamed up with Big Moves teamed up with a bunch of awesome solo performers to create an entire show around Beck’s “Midnight Vultures” album. It was one night only, and conveniently, I just happened to be in town.

“Oh man!” I said. “I’m going to bring my camera, and take pictures, all throughout the show without a single flash, because I’ve got that shit handled, now!”


Cherry Phosphate and Jane Doe Cabaret (Larger)


UnAmerika’s Sweetheart (Larger)


Mary Widow requires assistance (Larger)


Take a bow, the night is over (Larger)

We met up with some friends who’d grabbed a front table, and as the lights dimmed and I unpacked my gear, a familiar voice sung out from the speakers: thank you for coming to the show, and remember, absolutely, positively, no pictures. I pointed my lens toward the stage and took a test shot to check my levels. The stage manager came flying from the shadows. “Excuse me, but you can’t — oh, Lacy! Never mind. Hey, welcome back!”

It was then that I realized: I have, what we in documentary school call and covet, “access.”

And I also have, what we in documentary school call and abhor, “bias”: because I love these people with all my heart, have kissed some of them at parties, and these photos are meant to contain a message: this is beautiful, hilarious, important.

Full album: here.

And Remember Vampires?

March 19th, 2010

Every now and then, as I’m blow-drying, brushing and hair-spraying my bangs straight, then moussing, scrunching and air-drying the rest of my hair curly — I like to envision myself at a party twenty years from now, smacking a tabletop in glee. “Oh God, 2010! What were we thinking, right?”

How To Get a Lap Dance

March 4th, 2010

The most surprising thing about the strip club was how similar it was to any other club. The music was loud. It was difficult to talk. The women were dancing and the men just sat there. The women were smiling and the men just sat there.

“Seriously?” I cried. “That guy is getting danced all over by that gorgeous near-naked woman, and he looks like he’s in some angry coma? What’s his deal? That doesn’t even seem polite. There are boobs in your face! Smile about it!”

“I think it’s a power thing for the guys,” Macon said.

“Yeah, this isn’t like burlesque, Adrianne.”

“Well I’m going to look interested,” I declared. “Because I am. Those people are naked, and they are doing crazy things with their butts.”

Life Lesson #5

March 2nd, 2010

Breaking up with someone throws your entire apology meter off. You’re perpetually sorry. You’re perpetually waiting to hear he’s sorry. And as the two of you grow apart, communicating less by the month, you begin storing your sorrys, like some sad camel, only to find them spilling over and out of your mouth at unexpected moments.

Walking around someone: “sorry.” The sound of your cough: “sorry.” It becomes a part of you, it’s immutable, until the night in the Hannaford’s parking lot when you’re pressing the lock button to a friend’s borrowed car to hear a gentle “beep” and flash of the lights. “Sorry,” you mumble into the darkness. Then, “wait — what?”